The Art Of Editing Is My Livelihood
The weight of my work is in creating videos in Advertising and Marketing – commercials, corporate videos, capital campaign videos etc. The wonderful thing about Clark Creative is that we also get involved with many local arts and nonprofit organizations, including The Bemis Center for Contemporary Art, The BLUEBARN Theater, KANEKO, Omaha Performing Arts, and Opera Omaha. Because of this, I always feel that my work is going for worthwhile causes.
In 2005, artist Jun Kaneko approached Fred Clark, the owner of Clark Creative Group, and me to seek our help in creating video animations for his upcoming opera production of Madama Butterfly done in collaboration with Opera Omaha. It seemed like a fun project, one that landed outside our usual territories. Jun was very organized and specific about his needs, so the job was more about bringing his visions to fruition than creating something from scratch. The experience turned out to be a great success. When Kaneko was asked to design the production of Fidelio for Opera Philadelphia in 2008 and a production of The Magic Flute for the San Francisco Opera in 2012, he graciously brought Clark Creative Group along for the ride.
My whole role in all 3 opera productions was to provide background animations that were projected during the performances. Each opera production seemed to get a little more complex, culminating with The Magic Flute which contained a total of 9 screens using over 11 hours of animation for each performance. For The Magic Flute, I animated in video what Jun does with the art. Using a program called Adobe: After Effects, I recreated the drip art and lines that Jun had created and animated them according to his storyboard.
The equally difficult challenge came in delivering the files. During the live performance, all of the animations must be cue-able to the score; the tempo can change drastically from night-to-night. This entailed a ton of planning and cooperation between the opera technical staff and myself. I ended up learning how to follow an opera score and timing my animations to that score, making sure that my animations were able to be looped and allow for correct cueing. Difficult enough for one screen, but we were working on up to 5 screens at one time. All of those screens had to stay in sync. It was a challenge to say the least. I leaned on my editing partner Mark Grossardt and after many long nights, we delivered The Magic Flute animations to the San Francisco Opera. One of my proudest moments was when the crew in San Francisco asked if I could bring two or three of my crew members out there. Little did they know it was only two of us working on the entire production.
Kevin Reiner grew up in a tight-knit family in Omaha, NE. After graduating from Omaha Creighton Prep, Kevin went on to graduate with a Bachelor of Arts in Broadcast Journalism from the University of Nebraska-Lincoln.
In 2000, he was hired by Clark Creative Group as their video editor. With the use of books, online user groups, and trial-and-error, Kevin taught himself the art of editing. Kevin’s loves in his life include all types of music (indie, pop, punk, folk, alt, alt-county, classical, ska etc.), film (Coen brothers being the favorite), and food (cooking and eating). Kevin states the most important aspect in his life to be family, his wonderful wife, Kim, and their two kids, Henry and Charlotte. “They keep me going.”
Kevin’s work can be seen in April 2015 when Opera Omaha presents the Jun Kaneko production of Fidelio. www.operaomaha.org/operas/fidelio